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乌当堂堂家族  

别名: 乌当堂堂家族

剧情介绍

一部明朗搞笑的KBS1日日剧家庭剧,讲述了30年前因仇人分手的夫妇,因子女的爱,以亲家关系再次相遇,洗刷了长久的矛盾和反目,成为真正的家庭。,想看更多相关13200影视作品,请收藏我89112们的网站zhuoyuekaisuo.cn  展开全部

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  • 2019 4.0

    朋友感恩节

    玛琳·阿克曼(《守望者》《亿万》)、凯特·丹宁斯、简·西摩尔(《伊甸园东》《妾似朝阳又照君》)加盟感恩节题材喜剧新片《朋友感恩节》(Friendsgiving),NicolPaone编写剧本,并首次执导剧情长片。阿克曼饰演一个迷人的、刚刚离婚的女演员Molly,丹宁斯饰演刚刚被甩的同性恋闺蜜Abby,西摩尔饰演Molly的母亲Helen,来自瑞典。三人和一群亲密好友以及一些奇怪的熟人一起主办了一场功能失调、一团糟的感恩节晚宴。本·斯蒂勒、阿克曼制片,爱莎·泰勒、迪恩·科尔、瑞恩·汉森等参演。

  • 2006 6.0

    美国老爸第二季

    斯坦.史密斯,在美国中央情报局工作,负责恐怖活动的警报。他极力地保护他深爱的美国免首伤害。在他的家庭里,除了他的妻儿,还有两个非同寻常的成员:Roger和Klaus。那么,这个美国老爸和他的家庭到底会发生些什么故事呢

  • 2004 8.0

    一撇一捺

    在北方的一个小山村里,张树声和郑大麦是两个曾经出生入死的老战友。这天,正当两个年过花甲的老伙计忙着给孩子郑小龙和张秀春举行定亲仪式时,兴致正高的郑大麦却在席间突然呕吐起来。放在以前,郑大麦的酒量作为老战友的张树声是知道的,这次即便是高兴,但郑大麦的呕吐症状却引起了张树声的担心。果然,在第二天的检查中,郑大麦被确诊为胃癌晚期,而且生命留给他的时间已经掰指可数。

  • 2018 8.0

    对峙麻雀溪

    一场大规模枪击案后,七位民兵藏匿于一个木材仓库中,与此同时,一行人有了一个不安的发现:他们的军械库丢失了一支AR-15步枪,而这把武器的型号正与传闻中枪击案肇事者所用完全一致。担心当局已将他们与枪击案联系在一起,为了自身的安全,民兵们决定找出队伍中的叛变者交给警方。前任警察Gannon作为防止警方卧底渗透的安全调查员被派遣进入案件调查组。然而,一系列附近民兵传来的神秘信息使紧张的局势加剧,一场更大的阴谋逐渐浮出水面......

  • 2023 5.0

    御梦录之驱梦蓝星

    科幻小说家宇不凡在写作时意外梦入了自己的小说元宇宙,梦宇宙中的他成为保卫深蓝星球安全的守卫者联盟中的一员,名曰超能守卫者。守卫者以保护蓝星不受外界侵袭为终身使命,不惜一切代价完成守卫者联盟下达的特别任务。而很早以前就被守卫者联盟打败的一股强大的邪恶势力又卷土重来,面对突入其来的挑战,宇不凡在助手郝奇的帮助下升级打怪、抵御万难,终于战胜了黑暗势力,保证了深蓝星球的安全。

  • 2016 1.0

    那年那兔那些事第三季

    本片讲述了一群兔子由于被封锁而与很多第三世界的河马作伴,在基乐永生与喧哗上等的冷战中,夹缝中求生存。并重新回到世界舞台,与鹰酱毛熊重修旧好的故事。

  • 2023 5.0

    风月如雪

    狐妖伯裘为化解爱人苏小环不断轮回惨死的诅咒,独自承受千年孤寂,虐恋九世。这一世,苏小环满门惨死伯裘之手。自小流浪市井的苏小环受尽人情冷暖,靠着没皮没脸的性格艰难度日。后被前朝废太子轩辕青川利用,将其送进皇宫,安插在传闻中嗜血成性的狐妖身边,伺机复仇,不料却因宿命,在不知觉中再次爱上狐妖。这一世,伯裘为打破宿命禁锢,选择不再与心爱之人相认而是牺牲自己,以真挚之爱感化天地,最终化解了苏小环身上的诅咒。

  • 2023 2.0

    治愈系恋人

    神经外科副教授顾云峥在拉卡亚执行医疗援助任务时,偶遇弃医从商的逃兵苏为安,二人从欢喜冤家到互生情愫,他逐渐发现她所有的反常行为源于她携带亨廷顿舞蹈症致病基因。爱人让他对全国三万名亨廷顿患者及家属无药可治的悲伤绝望感同身受,顾云峥决定放弃大好前程,毕生投入到治愈这种罕见病的研究中去,与爱人并肩在黑暗中凿出一道光。

  • 2013 1.0

    未来的选择

    一部讲述了PD,编剧以及播音员等电视台相关人员的工作与爱情的作品,该剧预计在10月播出。

  • 1992 10.0

    我想你

    1980年比利时的默兹河畔,钢铁厂一家接一家地倒闭,成千上万的工人不得不另谋生路,居住于瑟兰的钢铁工人法布里斯也未能幸免于难。原本以丰富的钢铁知识和精湛的业务水平引以为傲的他,觉得自己仿佛一夜之间成了身无一技之长的废人,从此一蹶不振。深爱他的妻子席琳为了帮助丈夫振作起来做了各种努力,却仍换来他的不告而别。对丈夫的爱使她始终不曾放弃寻找,然而这份爱又能否拯救那个心如死灰的男人?(小易甫字幕组)

  • 2017 2.0

    外人止步第二季

    WGN America制作的剧集《Outsiders》将与1月26日首播,本剧讲述了一个不与外界来往的生活在阿拉巴契亚山脉的一个家庭的故事,由David Morse、Thomas M. Wright、Ryan Hurst、Joe Anderson、Gillian Alexy、Kyle Gallner、Christina Jackson、Francie Swift和Phyllis Somerville领衔主演。剧集讲述了这个生活在极其偏远地区的家庭与执法机关、外来入侵者以及一个投资上百万的煤矿公司周旋的故事。

  • 1971 2.0

    同性恋不是变态东西,变态的是他所活着的社会

    ItIsNottheHomosexualWhoIsPerverse,ButtheSocietyinWhichHeLives(NichtderHomosexuelleistpervers,sonderndieSituation,indererlebt)istheearnesttitleofRosavonPraunheim’s1971PG-chastefirstfeature,whichhasagedlikegoodcheesefromascandaloussensation(apoliticalwakeupcalltogays)intoatextbookexampleofclassiccamp—andadelightfultimewarptripthroughqueercliché.Theverycolorfulcolorfilm(shotMOS)openswithvonPraunheim’scameratrailingtwofags—oneblonde,onebrunette—walkingdownasunnyBerlinstreet.Daniel,theshybrunette,isnewtothebigcityandblondeClemensisgenerouslyofferinghimaplacetostay.(WeknowthisbytheheavilyGerman-accentedEnglish,dubbedandspokenina“Sprockets”cadence.)“It’ssohardtofindsomeonewho’ssincere,”Clemens’voicesaysastheycuddleonhisbedbackattheapartment.“Ireallydigyou.”Then,fromoutofnowhere,agrave,German-accented,Moses-likevoiceoverexplainsthat“faggotslongforlovingrelationships”,but“liveinadreamworldofglossymagazinesandHollywoodmovies.”NownakedinbedwithDaniel,Clemensproclaims,“I’dliketothrowthewindowopenandshowthewholeworldhowwonderfulitiswhentwomenareinlove!”Andsoitgoes.DanielfussesoverhishairinthemirrorwhileClemens’heartsickTeutonicvoicenarratestheirnewfounddomesticbliss.“EveryhourandminuteIspentalonewastortureforme.”Luckily,thelovebirdsspendplentyoftimedoingthingslike“watchingtelevisiontofurtheroureducation”andhousecleaningtogether.Theyalsoreadorwriteletters.“DearMother,”Daniel’svoicebegins.Butalas,asClemensstaresintoacabinetchockfullofknickknacks,thatdamnnaggingMosesvoiceoverreturns.“Faggotstrytoimitatemiddleclassmarriage,”hehisses,holdingforthonthesubjectofmentaughttobeincompetitionwithoneanother,tobeself-involved—doomingthefaggotrelationship.Nextthingyouknow,Daniel’ssadvoicesighs,“Fourmonthshavepassed.I’vedecidedtoleaveClemens.”Thenajaunty,genialGermannarratorintones,“Danielwasoftencruisedbyawell-to-doman.”Andthere’sgirlfriendstrollingalongwiththetight-panted“benefactorathiscountryestate!”Astheystopforaglassofchampagnebesideastatue,Mosesabruptlythundersaboutthemyththatthehomosexual’s“interestintheartsisawaytomakelifemorebearable,”wheninreality“theartsareatoolfortherichandpowerful,”foritmakesit“mucheasiertogetthemintobed.”Cuttoapianoandawild-eyedfagsingingaboutDeutschland!Nearby,thebenefactorplayswithhisascot,agaudysilverringintheshapeofaninsectonhisfinger.Thecamerapullsbackandpansaroundtheroomfulofoldqueensrespectfullylisteningtotherecital.Mosesannounces,“Youthandgoodlooksaretremendouslyimportanttooldfags.”LikeHitchcock’sbirds,theelderlyMarysaresuddenlyswarmingoverpoorDaniel—whogetsnauseousandrunsoutthedoor.Thenit’sofftoanoutdoorcafé—withabigsignreading“MobyDick’s.”ThegenialGermannarratorinformsthatDaniel’sfoundanewjobworkingata“meetingplaceforhomosexuals”where“conversationsaboutfilm,fashionandphysicalculturegivehimideasabouthowtofillhisleisuretime.”Mosesbuttsintoaddthatfaggots“gathertolistentoNinaSimone,JudyGarlandandBarbraStreisand”and“gatheratFireIslandandSanFrancisco.”Heintones,“Fashionhastobelikeasecondskinthatsuggeststhesizeofthecock.”Asissysauntersdownthestreetinknee-highmoccasinsandshorts.Mosesalsowarns,“Theyoungfagmustgiveuphisinterestsformorehomosexualinterests.”Andthere’sDanielsunninghimselfwithhisfellowhomosexuals!Mosessnipes,“Hewasentrancedbyhisstrongbodyandbutchstyle”asatorso,hairychestandtightbluejeans,appearsinmediumcloseup.ThegenialGermanoffers,“Danielcouldsitforhoursandenjoybeingcruised.”Then:“WolfganghadalotincommonwithDaniel”asthetwomop-haired,mutton-choppedboysrublotionononeanother.Butallisnotwellinfairyland.MosesbringsnewsthatDanielhasbegungoingtogaybars—isbecomingaddicted!And,yup,there’sDaniel,wanderingaroundadarkanddingyhole.Mosesexplains,“It’seasyforfaggotstofindoneanotherbecausetheyofferthemselvesonstreetcornerslikewhores.”Cuttoaqueenhavingahissyfitinfrontofthebarasanothertriestocalmherdown,allwhileMosesholdsforthonsadfags,howtheydon’tknowhowtousetheirsexualfreedomforhappiness,howtheir“greatestenemyistheconspicuousqueen.”Twofairiesinshortshortsappearintheframe,fawningovertwoembarrassedfags.Moseslaments,“Danielnowhasnootherinterestthanbeingafag.”Cuttoamotorcyclegang,leatherboyscruisingoneanotheramongstthenighttimetrees.Theyfeelupeachother’szippers,chains,andstuds—aclothedgropefestasMosesteachesthat,otherthan“trans-westites,[who]longforwomen’sorgans,leatherfreaksarethefagswiththemosthang-ups.”Infact,“Theleatherqueersarereallynice,politepeoplewhosufferfromtheirownweakness.”Andthat’swhenDaniel,“boredwithtalking,”fatefullyleavesthebarscenefortheparkwherehe“slowlymadehiswaythroughthetensechoreographyofmen.”(SosayethMoses.)Cuttooutsideapublicrestroom(a“well-knownmeetingplace”).Menwhocruiserestrooms“despisetearoomtrade,”thevoiceofMosestrembles.Hustlers—“usuallyrunawaysfrombrokenhomes”whoare“oftennotqueer”—frequentthesespots.(Assortedhustlersandfagsmillaboutasapieceofroughtradestandslikeasentinelinfrontofthedoor.)Agroupofqueersemergeandpilecircus-styleintoacar.AnoldfagcruisesDanielbutstrikesout(duh!)beforegettingbeatupbyroughtrade.Nextup:adragqueensinginginamixedhomobar—atattooedleatherdaddystaringstoicallyfromatablenearby.Andthere’sDaniel!He’s“drowninghimselfinalcoholandcigarettes”whileotherfagstryto“forgetthemselvesinafranticatmosphere”—i.e.,ablackguyandawhiteguydoingachickendanceto“RockAroundTheClock”,whichblaresfromthejukebox.Anoldyodelingqueenappears.DanielseeshisfriendPaul,asksifhecangobacktohiscommunalpad.Andthat’swherevonPraunheim’sfilmfinallyreachesitsclimax—apsychotherapysessionwithagroupofnakedfags!Sittinginacircle,theyberateDanielintheirdubbedvoices.“You’vebecomearealfulltimefaggot!”“You’rebecomingneurotic,awhorewhodoesn’tevengetpaid!”TheTeutonicaccentsstartcallingforagayprideawakening,aconsciousness-raising“We’rehere,we’requeer!”movement.“Queensandbutcheshavetostopopposingandfighttogethersidebyside!”“Comeoutofthecloset!Taketothestreets!”“Eroticallyfree!Sociallyinvolved!”Thecommentarycontinuesevenasthecreditsrolloverapinkbackground—evenasIcan’tstoplaughingoverthe“trans-westites,”leatherfreaks,andglorioustearoomtrade.

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